The Ring of the Nibelung – The Twilight of the Gods
In the overwhelming conclusion of the cycle, the all-consuming love of Siegfried and Brünnhilde is broken in bitter betrayal; the machinations of Hagen, son of Alberich, seal Siegfried’s doom; and Brünnhilde’s self-sacrifice precipitates the end of the old world order and the beginning of a new era. The musical and dramatic power of Götterdämmerung is awe-inspiring – sweeping us from Siegfried’s Rhine Journey to his Funeral March, and, finally, to Brünnhilde’s immolation and the work’s titanic orchestral climax.
Episodes
Prologue & Act I
In the overwhelming conclusion of the cycle, the all-consuming love of Siegfried and Brünnhilde is broken in bitter betrayal; the machinations of Hagen, son of Alberich, seal Siegfried’s doom; and Brünnhilde’s self-sacrifice precipitates the end of the old world order and the beginning of a new era. The musical and dramatic power of Götterdämmerung is awe-inspiring – sweeping us from Siegfried’s Rhine Journey to his Funeral March, and, finally, to Brünnhilde’s immolation and the work’s titanic orchestral climax.
Act II
In the overwhelming conclusion of the cycle, the all-consuming love of Siegfried and Brünnhilde is broken in bitter betrayal; the machinations of Hagen, son of Alberich, seal Siegfried’s doom; and Brünnhilde’s self-sacrifice precipitates the end of the old world order and the beginning of a new era. The musical and dramatic power of Götterdämmerung is awe-inspiring – sweeping us from Siegfried’s Rhine Journey to his Funeral March, and, finally, to Brünnhilde’s immolation and the work’s titanic orchestral climax.
Act III
In the overwhelming conclusion of the cycle, the all-consuming love of Siegfried and Brünnhilde is broken in bitter betrayal; the machinations of Hagen, son of Alberich, seal Siegfried’s doom; and Brünnhilde’s self-sacrifice precipitates the end of the old world order and the beginning of a new era. The musical and dramatic power of Götterdämmerung is awe-inspiring – sweeping us from Siegfried’s Rhine Journey to his Funeral March, and, finally, to Brünnhilde’s immolation and the work’s titanic orchestral climax.